QR Codes for Mobile Marketing on Deck – Extinction of Dinosaurs Continues.

I was struck by the inevitability of mobile-phone access a decade or two ago, in Zurich. I sat with colleagues at dinner (Veltliner Keller in Old Town if you have to know) and a question came up about the cost of a new BMW of some arcane description. The owner of the German ad agency, Karl Woerlen, whipped out his “handi” and called a car-dealer friend in Freiburg, asked a question and then turned to us with the answer – at the time, in Deutschmarks.

This sounds dinosaurial today: an iPhone 4 delivers the world to your hand in about three seconds; price quotes for Beemers from not one but a dozen sources in half a dozen states is dead easy. There’s nothing I can write here that hasn’t been written a thousand times over – about smartphones and netbooks, tablet computers and apps out the wazoo.

Access to info (and gratification) is instantaneous, or at least as fast as your network. And now there are QR codes. See them in magazine and newspaper ads. Business cards. Drums of chemicals (for fast access to MSDS information via workers’ mobile phones).

What are these? Let’s ask QRstuff.com:

A QR Code (it stands for "Quick Response") is a mobile phone readable barcode that's been big in Japan forever, broke into Europe a while back, and is now getting traction in USA. In its simplest sense think "print based hypertext link" - simply encode a URL into the QR Code and then point a mobile phone (or other camera-enabled mobile) at it. If the device has had QR Code decoding software installed on it, it will fire up its browser and go straight to that URL.

Where are you going to put your QRs? (My website’s url, courtesy of QRstuff.com, appears at the top of the post.) As a test, I emailed my QR to my “expert” in this stuff, Barrett-Wehlmann principal Jim Proctor:

I’m not sure the QR is a good thing to use in an email. Might as well use a link to the content you want someone to go to. If I receive the email with an embedded QR on my laptop I have to scan it with my phone and then it’s just little content.

I see the QR making most sense in an offline mobile environment, like tradeshow graphics’ link to more content. Magazine ad links to motion graphics. Brochure links to video. Press release to VNR. It should be a way to bring something to life. The first good use of this I saw was in Golf Digest. It was an article on a certain swing technique and when you scanned the QR, it took you to a lesson with motion.

You and I are going to see a lot more QR codes as the technique makes its way from geek-stream to mainstream.

Most important, for the moment, you better believe that appropriate expansion of this on-demand technology falls right back on the shoulders of “wanna-know-that.” Think [1] fans: QR on a wine label gratifies with winery notes delivered to the mobile platform; QR on a car ad delivers in-the-driver-seat motion graphics. Think [2] information-critical: QR on freight containers sending content descriptions direct to security screeners’ phones.

Think [3] about the only constant: it’s going to be change and every time you laugh at photo of some guy with a QR code on his shaven head, it could be one more nail in techno-dinosaurs’ coffins.

PS: There’s a concise post, with how-to video, from Marion Group Advertising and Marketing – access it here, it’s worth a look. (Thanks to Brian Bearden for this link.)

SunGard Advertising – Wherever You Don’t Care Who Knows What Business You’re In…

I wish SunGard’s new ads told me faster what the business does. I saw a version of this ad in The Wall Street Journal. I had never heard of SunGard.

It’s an arresting photo-illustration, visually faster than the other new SunGard executions. But none of them quickly tell what the company sells. Neither does the slogan, “Wherever the mission is critical.”

In fact, it’s only in the second sentence that I discover SunGard sells software and technology services. That seems to be enough for SunGard and its ad agency, Young & Rubicam.

If you’ve just spent big bucks on creating a new advertising campaign and spiffy new website, with all kinds of customer photography; and you’re running a four-month buy in eight of the world’s broadest business publications, wouldn't you want a more obvious link between brand and business arena?

On top of that, those creative Y&R guys have a little visual letter-play going on the ads – and online, too. Various shapes and alphabetic initials are buried in each of the photographs which, when you know they are there, will enable you to spell out (ta-da!) S-U-N-G-A-R-D. In case you didn’t notice.

This technique is named steganography – writing a hidden message so that nobody, except for the sender and intended recipient, knows there’s a message. It’s what Wikipedia calls a form of security through obscurity. Perfect for expensive advertising, no? Uh…no. (The aggressive website uses Flash to reveal the letters buried in each major photo-illustration to make the gag more understandable.)

There’s a secondary theme: LOOK FOR US. Appearing modestly in ads and far larger on the website, It’s a more directive thought which – I suggest – might have made a stronger campaign, given the visuals with the cutesy code.

To wrap up here, according to that same site, SunGard is:

…one of the world’s leading software and technology services companies.  SunGard has more than 20,000 employees and serves 25,000 customers in 70 countries. SunGard provides software and processing solutions for financial services, higher education and the public sector.

I didn’t know that. Probably would have enjoyed learning it. But not from these ads – even if the fire scene got me looking. 

Harold Borenstein in North Africa: A Veterans Day Post.

I was…invited to join the Army on December 2, 1941. The draft was already going and my number came up. From Madison, I went down to Fort Knox, Kentucky, with a bunch of other guys. I took a draft into the 1^st Armored Division and I’d never heard of them before. I was born in 1916 so I was already 26 when I shipped out.

Harold Borenstein, 94 this year, served with the US 1st Armored Division in North Africa and Italy.

We left Fort Knox, April 5, 1942 for Fort Dix, and left there on May 10 for Northern Ireland. I’d been to New York and of course, Sioux City, Iowa – for a whole day – but not any further. Sailing across on the Queen Mary, I was numb: seasick as could be, couldn’t eat a thing. I was one of a million guys…to the Army, I was just another piece of equipment.

After Ireland, I was loaded on another boat, Durban Castle. I didn’t know where I was headed so I thought I was going to France – that wasn’t it, thankfully. I never thought about North Africa ‘til I was on that ship and I landed in Oran as part of Torch.

The 1^st Armored was part of the Allied invasion of North Africa - Operation Torch – on November 8, 1942. Division units met unexpected resistance from Vichy-French units, but invasion forces suppressed all resistance in the beachhead area within three days.

We landed at Oran and drove 700 miles east to Tunisia. I was with Combat Command B headquarters, a driver of a White half-track (see photo). I greased that half-track, changed the oil, everything.  When we first landed, we went ashore and drove inland, past an airport. I thought the French would turn their guns on us because they knew where we were…either we’re going to get it or we not going to get it – it was out of our hands.

I was at Kasserine Pass and I was lucky, I got through it without a scratch. We spent a year in North Africa, two years in Italy. The best part was demobilization – I came back from overseas, through New York, trained to Chicago and then I was home.

You know, I traveled up and down Tunisia, many a night ride I had, trying to stop the Germans. And I went through dive-bombing in Tunisia. I said, “Harold, if you live through this you’ll be the nicest person in the world for the rest of your life.” That was the biggest lie I every told.

Today’s the day we remember: Paul Hirsch Baron, Emmanuel Katz and Sam Slavik. Tom Ritter. Phil Slavik. Norman Sabel and Sherman Sabel. Joel Hirsch Goldberg. Thomas Biddulph, Richard Dailey, Richard Fox, Bill Gay and Richard Sutter. David Starr. Frank B Foulk. Chris Hrabe. AJ Smith and Paul Hoven. John Naumann. James Hairgrove.

Herman L Eisenberg. Phillip Becker. George A Schuler, Jr., Alan Vera. Nathanael Charles Yonka, Jr. Hoi Nguyen and Ellis Alexander. The names from the Gunroom (you know who you are): Paul Johnson, KCMO, and “Charlezzzzz” Muñoz. Charles Rose and Bill Krull. Gary Bearden. Bernard Mazursky. Clarence Everett Latham and Irene Helen Phillippe. Meyer Horwitz. Irving Kaplan. Columbus D Reeves and Jimmy Reeves. And me – USN, ’68-’72.

Every year this list grows longer – you’re welcome to add names of your own, so we’ll always remember.

The Non-Profit Marketing Dance: One Step Forward, Two Steps Back.

Every non-profit has a story. But is anyone listening? There’s a great pair of opening lines from the Chairs of the AMAHouston Non-Profit Marketing SIG…part of the announcement about its special seminar coming up on November 16. That would be, “Say It Strong: How to Tell Your Non-Profit Story.”

Some non-profits have more socially compelling stories to tell: quite important ones about hungry children or entire hurricane-whipped populations.

But what about the non-profits whose operations and goals are not “difficult social problems?”

I asked Leigh McBurnett, Executive Director of Dominic Walsh Dance Theater (DWDT). This is a Houston-based contemporary ballet company that aims to “inspire and entertain audiences and artists with visually stunning performances.” It offers innovative, even thought-provoking modern work by founder Walsh and other leading US and international choreographers – but not exactly world peace.

We’re in a different situation – we not only have to tell an engaging story, but we have to build the vocabulary. “Contemporary ballet” is a new term. We want to explain dance and the choreography that supports it. Using this kind of story, we’re trying hard to reach out to non-dance audiences, well beyond our own supportive core group.

Is anyone listening to the Dominic Walsh story?

We worked inside our little bubble – how do we go about bursting out of that? We know we have to get beyond ourselves, to focus more on engaging the fun.

Part of what’s driving DWDT today is market research. Surprise! People go to the performing arts for entertainment…not because it’s socially correct, or they’re supporting the arts, or even a particular organization.

These days we story-tell diversion. We know we need to engage the public with fun pieces and witty headlines, like “Not a tutu in sight!” We’re making small but significant steps.

We made a real leap – no pun intended – by forming a marketing committee, which automatically increased our number of community advocates. Our marketing Chair has kept after us to keep telling a cohesive story. And we’ve boosted our use of social media because we couldn’t afford to get louder. We got smarter instead.

So even though we know we’re still only reaching a quite small percentage of the population, we’re focusing on trying to tell those more engaging stories, with new audience-reaching methods.

Whether the story involves an art form or a social challenge, generating audiences and raising funds have never been exactly easy. Even when an organization makes real progress, it can slip backward when the next recession comes along.

Well, the AMAHouston Non-Profit Marketing SIG aims to help sharpen the tool set with “Five secrets to creating an engaging narrative.” Our five-member panel includes the founder and CEO of Recipe for Success, Gracie Cavner; and one of her leading Board members,  Monica Pope, executive chef and owner of t'afia Restaurant.

You will also learn from Ashley Latham Dennis, development associate at the Houston Zoo; Living Forward Alliance’s CEO/founder Maria Francis; and Eric Roland, senior director of marketing for Legacy Community Health.

Join us by clicking here to reserve a spot for Tuesday, November 16. I say “our” and “us” because I will be the event moderator, thanks – I promise there’ll be no dancing around the tough parts of this subject.

Thank you: Photo by Amitava Sarkar, InSight Photography. All rights reserved.

Post-Election, Signalwriter Celebrates the Amazing United States of Everyone.

Ever since I woke up this morning, I have been trying to parse just why I’m loving this post-US-election day feeling of exhilaration. (Parse = “to examine in a minute way, to analyze critically…”) Fortunately, I was Skyping with Swiss Dialogue International colleague Peter Thoma and he came up with the answer.

Regardless of my own political leanings, I have always considered that American politics is a raucous blend of punch-‘em-up claims, reasoned analyses and strong emotions. Anybody who doesn’t get this is sort of ignoring 200+ years of American history, as far as I can tell – it’s been going on that long.

Just a couple of days ago, I heard that blogger John Podhoretz called US politics something like the greatest public theatre in our nation’s history, bar none. (Podhoretz himself’s no wallflower, with published comments like, “…the Republican gubernatorial candidate, Carl Paladino, went out with a concession speech for which the word “psychotic” would seem to be an understatement.”)

Newspaper commentaries with screaming and yelling in them have been hard to ignore. I have listened to radioheads being alternately exuberant and abrasive; and TV talk-show hosts have used language (about political candidates) that my momma wouldn’t have put up with for a minute. What a ride…and there’s almost nothing to do with advertising and marketing in it. Well, some.

The amount of cheering and weeping, gnashing and wailing on Facebook is equally daunting, especially since so many of the comments come from colleagues and friends in other parts of the world. I thought, “Come on now, I don’t post nasties about the election in Spain, say; or the recent changes in EU laws.” What gives all these people the right to criticize us?

Then Thoma repeated a different conversation he’d had, in which he replied, “America’s not our country.”

I realized (again): America is!

American is – absolutely – Peter’s country and Alison’s in Cambridge; Tom’s country, even though he’s in Prague, and Graham’s (same locale) and Abdol’s in Jeddah. Heck, it’s even the country of people like RL Stine, who’s just been quoted saying, “I’m so glad I live in New York City and not in the United States.”

Everyone feels free to say what they like about America right out loud because it is everyone’s country. No other nation I can think of gives the entire population of a whole planet the freedom to say whatever it likes about how America looks, how America acts, how America worships – and so on. Amazing.

Happy just-after-the-election day, everyone. It’s your election, too.

PHOTO: Conceptual American Flag Maze © Suljo | Dreamstime.com

More Packaged Goods: Is Personalizing Your Oatmeal Experience…Better?

This is probably the kind of post that will make the brand marketing people at Malt-o-Meal and Hunter Public Relations cry – or laugh out loud. When they introduced a complete new product line – Better Oats – they did everything “marketing” that could be expected of them. And still, I only noticed the products when Signalwriter’s personal shopper saw a “good deal” on a box at the supermarket.

The Better Oats parent is Malt-O-Meal which has been around since 1919 and it’s pretty well-recognized these days as the value brand in most stores’ breakfast cereal aisles. Now they’ve put their thinking caps on to revolutionize the instant oatmeal category. (Yes, one of the new sub-brands is “Oat Revolution.” Sigh.)

It’s possible they’ve succeeded – and I almost missed it. But I’ve got to say that I’m really happy they didn’t try too hard to position it on the “personalized oatmeal experience” idea. That line’s in the introductory press release:

With 34 different offerings, Better Oats provides consumers with the ability to personalize their oatmeal experience with varieties like traditional Oat Revolution™, Oat Fit™ for the weight-conscious, mmm…Muffins™ for a sweet start to the day, Lavish™ to satisfy chocolate cravings and Oat Revolution™ Thick and Hearty for an old-fashioned oatmeal experience instantly. Varieties of Mom’s Best Naturals® – which include Plain Grain Organic and Dark Chocolate – are found exclusively in the natural food/organic aisle in supermarkets nationwide.

It’s not like America needs more kinds of instant oatmeal (or maybe, right before a contentious election, it really does). But my ad guy’s porkpie hat is raised to the entire Better Oats team because every launch detail is right, in my opinion. There’s fine packaging and an interesting collection of sub-brands, plus some useful waste-reducing ideas. There’s the quite-alright website…clean and simple and attractive.

The Better Oats brand line has gone on the road with a “Grains of Change” tour* and that’s connected to a Facebook fan page and trial stimulator, complete with a coupon (which I have downloaded and used). And I have kitchen-tested the “oatmeal experience” by consuming servings of the mmm…Muffins and Oat Revolution varieties. They are good and there isn’t much in the way of unnatural ingredients in ‘em.

Missing the introduction is a question of noise level. This is a crowded category. And do Americans need another complete line of breakfast cereals? On the other hand…breakfast is good for you. If you eat breakfast, you’re likely to promote healthy eating habits. And oats – oats are good for you, too. So if a company can actually make a successful additional entry into this category, it’s worth a lot for us as consumers to try something healthy and…novel (which the Better Oats lines are). And Malt-O-Meal can take over more of a grocer’s shelf with packaged goods that deliver excellent margins, thank you very much.

Maybe making instant oatmeal more personally tailorable is exactly right for the second decade of the 21^st Century. After all, breakfast cereals are the third most popular grocery story category, I have read. Better products and more comprehensive marketing will always gain new products (like Better Oats) a place at the table. Go for it, oatmeal guys!

*I know it’s tongue-in-cheek but shoot “Otis Wholegrainer – Oatmeal Czar” anyway – that idea is…unrevolutionary.

When to Market American Success? “Mission Accomplished” in Chile.

In the wake of the rescue of the now world-recognized Chilean miners, there’s no doubt about the immense dedication and bravery shown by the people and the government of the Republic of Chile. Well done, that nation!

From the point of view of global marketing, I am repeating a post which has been traveling round the Internet. I have tried to add links to the companies involved. Let’s start with...

Schramm Inc of West Chester, PA built the drills and equipment used to reach the trapped miners: “…a Schramm T685 rig drilled the hole that located the miners, and that our T130XD rig is being used for Plan B to expedite their rescue.” Center Rock Inc, of Berlin, in the same state, built the drill bits used to reach the miners.

UPS, the US shipping company, delivered the 13-ton drilling equipment from Pennsylvania to Chile in less than 48 hours. Then crews from Layne Christensen Company of Wichita, KS, and Chilean subsidiary Geotec Boyles Bros SA worked the drilling equipment to locate and reach the miners and then enlarge the holes to ultimately rescue them.

Jeff Hart of Denver, CO came from his job drilling water wells for the US Army’s forward operating bases in Afghanistan to lead the drilling crew that reached the miners. And Greg Hall of Houston-based Drillers Supply International provided additional planning and expertise.

Atlas Copco US’s Construction and Mining Technique, Milwaukee, WI consulted about the integration of drilling equipment from different sources, so the pieces would work effectively together under differing pressure specifications.

Central California Video Engineering and Manufacturing Co of Fresno, CA designed the special cameras that were lowered nearly a mile into the ground to send back video of the miners. Zephyr Technologies of Annapolis, MD made the remote physiological status monitoring (PSM) devices that the miners wore during their ascent.

Engineers from NASA designed the “Phoenix” capsule that carried each miner to the surface: and provided medical consulting, special diets and spandex suits to maintain miners’ blood pressure as they’re brought back to the surface.

One more thing: sunglasses maker Oakley “…provided the $400-a-pair eyewear that protected the miners’ eyes from the sun they hadn’t seen in months.”

Adam Hanft, CEO of brand strategy firm Hanft Projects, has talked about the Chilean miners and marketing. The best way they can mine their 15 minutes of fame, he said, is “by being humble and letting the world fall in love with them.”

Thanks to this event in Chile, the world has seen genuine American know-how in (successful) action. We have a lot more of it than most people credit these days; now’s a pretty good time to market it all more aggressively...but humbly. Thanks to the President for pitching in.

Note: I didn’t create the bones of this post; I don’t know who did. It’s been thought-provoking, though – many thanks. Photo of the T130XD heavy-duty, heavy-hoist, carrier-mounted drill rig from Schramm. All rights reserved.

Speaking of Beer, Product Sampling Is a Time-Tested Way to Market.

Today’s post is driven by several elements, not least of which is an article in this morning’s Houston Chronicle business section. You’ll see it offers important facts on which I have based this…argument.

Then there’s the well-recognized technique of product sampling, a long-honored method of capturing the attention of would-be consumers.

Finally, there’s the note from an anonymous Facebook correspondent (alright, it was Donna Collum) which said, “Dang, u drink a lotta beer, dude!”

Starting from back to front: Frequency, yes. Recency, yes. Quantity, no. I have undertaken the consumption of beers out of a pure desire for marketing efficiency. I’m completely focused on sampling beers I haven’t tried before, on the theory that I am [a] determining which brands and styles of beer are…worthy…of future drinking; and [b] supporting the growth of an industry which is important locally, regionally and nationally.

Lofty goals! I don’t drink a lot of beer – I try a beer a day or every couple of days, usually one I haven’t tried before. I go back and “repeat sample” a beer whose various complexities are not firmly fixed in my mind. Sometimes, this takes two or three tries but you get the point. It’s all about discrimination and moderation.

Then, because mine is a scientific evaluation using this particular marketing tool, I carefully record each sampling on RateBeer.com, one of several on-line beer-rating groups which allow true “crowd-sourcing” of beery experience. I am a minor sipper compared to other RateBeer colleagues. Virginian BeerandBlues2 has 3,700+ beer ratings, for example; the doughty product-tester has been hard at work since 2003.

When possible, product-sampling can play a big role in branding and marketing. Here’s sampling researcher Cindy Johnson:

Product sampling can often work on its own to convert a targeted group of consumers. If the trial experience is strong and consumers are convinced to purchase the brand, no further spending is necessary to win with that target…There’s no advantage to layering marketing tactics and spending more against the same target, if trial alone convinces them to buy your brand.

Micro-breweries and regional craft brewers put product sampling to use because they don’t have the tools (read: buckets o’money) that the national and international brewers do. It’s an underlying factor in “Swimming in Beer” by Chronicle writer/blogger Ronnie Crocker. He reiterates the point that craft-brewed beer business is booming, while the “major producers are hurting and sales of imports are down…”

Generating attention and “drinkership” via product sampling is the best way undercapitalized local brewers can gain sales and market share. Brock Wagner is taking St Arnold Brewing Company to a production capacity to 50,000 barrels a year through missionary marketing and pour promotions, not classic media advertising (which Wagner has historically disdained).

I started out to have some fun with this topic and have ended up more aware of a couple of key marketing points. One, I hope, is reinforcement of the idea that there are very many marketing tools and we – as marketers – ought to be familiar with most of them.

Thanks to friends and colleagues for highlighting and supporting my beer-testing. I doubt I’ll ever get to 3,700 beers. But I expect to enjoy those that I do try and do some brand-marketing good along the way.

PS: Will blog for beer!

In the Sun Chips Bag: a Lesson in Marketing Innovation and Demand Generation.

Is there anyone out there who doesn’t know Sun Chips is getting out of the eco-bag business? In another high-volume “end of the world as we know it” outcry, the eco-pundits have already massively condemned Frito-Lay, from the local (Lauren Marmaduke, Houston Press) to the national (Kate Sheppard, Mother Jones)

Marmaduke is a blaster: “…the morons at Frito-Lay.” Sheppard’s more balanced: “I don't necessarily blame Frito-Lay. It’s a corporation and its job is to keep customers happy (and make money), so I can forgive them a little timidity on the issue, given that Sun Chips sales were apparently plummeting.”

Let’s take this single paragraph as a guide to seeing where perceived social good and marketing intersect, and what happens then. The Wall Street Journal’s Eric Felten exposes pundits’ contempt for American consumers while defending the market process: “You can add the Sun Chip bags to the pile of eco-virtuous products that consumers found less desirable than the traditional products they replaced.” (This sentence, I believe, is key.)

Felten’s must-read article fairly describes the market process and how it works, when it comes to consumerism. Eco-products have to work better than the items they aim to replace. Or the marketplace will drive them out.

Frito-Lay, like many consumer companies, is superb at introducing new lines: I wrote about its Flat Earth Baked Veggie Chips here. And when these Sun Chips biodegradable bags were introduced, Frito-Lay was a hero yet again. This week, it’s a goat.

To build a Matt Ridley argument, the introduction and marketing of biodegradable Sun Chips packaging with its subsequent glowing praise; the bags’ elimination with its screaming (and one-sided) condemnation; and the company’s pledge to find a more consumer-friendly replacement are all part of “the perpetual innovation machine that drives the modern economy.”

Now will you please stop whining about the damn bags.

Is Old Crow Really the Bourbon Sam Houston Didn’t Drink?

The Old Crow people, or perhaps I should say their advertising agency, have been trying to convince the public, through the medium of the popular magazines, that the father of this city preferred their whisky to other brands.

Until that recent campaign, it probably had never occurred to most of us to raise the question of what brand of liquor Sam Houston drank. But now this seems to have become a hotly debated subject in our town.

So, seeking competent testimony on the matter, I called on Sam Houston’s grandson, Franklin Williams, in the office of his insurance firm in the Gibraltar Building, corner of Capitol Avenue and San Jacinto Street…Mr Williams is eighty-one, and his hair is white. Let his hair grow longer, take off his glasses, give him a Houston hat and a gold-headed walking stick, and he could almost sit for a portrait of the Liberator of Texas.

“What about this Old Crow propaganda?” I asked the son of Sam Houston’s second daughter. Mr Williams chuckled, opened a desk drawer, and took out a Manila folder. From this he took a page torn from a magazine. Under a reproduction of a life portrait of Sam Houston were printed these words:

Sam Houston, Texas’s beloved hero, knew the glories of Old Crow. He and Daniel Webster discussed problems of national import during a historic reunion over a drink of James Crow’s whiskey.

“Well,” I told Mr Williams, “I see where the Old Crow people claim Dan Webster, Henry Clay, and Mark Twain drank their product too…Do you think Sam Houston did?”

The grandson of the hero of San Jacinto smiled. “Well, there’s no telling what he drank in the public room of the Willard Hotel, when he was in Washington. But in Texas I think Sam Houston drank Bottled in the Barn.”

“You mean ― ?” I said.

“I mean,” he said, “that in General Houston’s time most of the whisky around here was homemade, and it was mighty good whisky. Sam Houston was not the kind of man to drink whisky imported from Kentucky when he could get good Texas-made whisky. Now, was he?”

“From my reading,” I said, “I’d say you’re absolutely correct.”

“What Henry Clay and those other fellows drank, I couldn’t say,” Sam Houston’s grandson concluded.

I excerpted these 11 paragraphs from Sig Byrd’s Houston by Sigman Byrd, Viking Press, New York, 1955. In those days, Old Crow was produced by National Distillers. “The manufacturer actively pursued such publicity: in ’55, they took out an ad in College English, the journal of the National Council of Teachers of English, offering $250 for every literary reference to their product.” [Wikipedia]. Byrd’s writing implies a chronic need for money. It wouldn’t surprise me if he wrote the original column to take advantage of this offer – early “blogging for bucks.”

In a brand reboot of sorts, current owner Beam Global Spirits and Wine/Fortune Brands launched Old Crow Reserve in April, 2010. It’s a nice piece of work by Santa Rosa, CA, agency Armstrong Associates.

Ball Watch Website Brand Punch: More Steam, Mad Gleam.

You can read this post or avoid the words and go directly to BallWatch.com for one of the most “atmospheric” websites I’ve run across recently. For brand vision and sheer evocative power, the presentation is hard to beat.

I’m fond of big machinery like locomotives. Especially the steam-powered muscle machines of yesterday. Ball Watch has successfully evoked this yesterday by combining the romance of steam and the love of highly accurate time pieces in a sound-and-sight-show that works superbly on the worldwide web.

Sure enough, Ball watches are expensive. I don’t remember the precise line, but looking at the Ball price list is like hearing a collector say, “Only the really costly ones are interesting.” Ball watches are not, however, the most expensive watches in the world. They do seem to have an intensely loyal following: very few used Ball watches seem to come up for sale on “fleaBay,” for example.

What caught me – catches me still – is the imagery and the scoring. Old black-and-white film footage with evocative music overcomes my sensibility about the amount of time Flash intros normally take. For a brand guy who’s heartily tired of sneering athletes and faux-shock appeals to youth, Ball Watch calls up strong images of a vigorous industrial America. A great branding job.

Unfortunately, that’s not directly apparent in much else the company does. The two-column-by-seven-inch ad that caught my eye in a recent Wall Street Journal is much like other expensive watch ads…except for the “Official RR Standard” line which reminded me I’d been meaning to check the company out for some time. The particular watch, a Fireman B and O “First Mile,” is the kind of historical detail I notice but a third of the ad is dealer listing.

I wish the company website delivered more business detail about the company itself. You need to burrow deep into the Internet to discover that, as of 2007 at least, Ball Watch USA “incorporated under the laws of New York and our major investor is an American citizen.” (This is from Jeff Hess, self-identified president of the firm. “Owners are an investment group. CEO is Francisco Harreraa formerly of Citibank. Two of the main investors are a Swiss guy and an American citizen. VPs are a guy from Kansas City and a guy from Canada.”

No precision there. Still, it’s not the first time that we have looked deeply into the eyes of the watch business and seen the mad gleam of great brand development driving the…train. (Remember the Flying Tourbillon and Watch Obama posts.)

Return to the main point: Ball watches appear to be quality goods. Trend-wise, they look fine. Plus its Explorers Club idea, which could be hackneyed, isn’t because this particular web segment is beautifully scored with a haunting version of “Amazing Grace.” Way more evocative than the sonically ugly Youtube version, by the way.

Though I do not own a Ball watch and am never likely to, I’m calling the website a great branding job. For this could-be consumer, more Americana please, mad gleam and all.

Main photo: Wikimedia.org and US Library of Congress’s Prints and Photographs division, npcc.32807 digital ID. All rights reserved.

Think Marketing to Physicians Was Complicated Before..?

Friends – and you are all friends – you need to be at “Marketing to Physicians: Winning Game Plans for an Industry in Flux” on September 24. [Just click right here for details.]

Because you’re trying to market to medical and dental practices, or the physicians and dentists themselves. Because your CFO or CEO or Practice Director demands that you show measurable, dollar-delivering results from the marketing/communications budget.

Because – as the handy visual above demonstrates – our healthcare markets have become more puzzling, confusing and baffling than ever.

AMAHouston’s Healthcare SIG has announced the seminar at HBU this way:

More rigorous government regulations, practice changes, financial concerns and shifting demographic dynamics have all dramatically changed the health care game.

You think? Almost every element of a medical or dental practice is no-more-business-as-usual. So things are pretty tough at the “marketing rock face” these days. One active Healthcare SIG member, Winnie Hart of The H Agency, just returned from the Society for Healthcare Strategy and Market Development Conference in Chicago. This conference, too, focused on the “tactics, and solutions you need to successfully navigate today’s complex and complicated environment.” Hart listened closely to Conference presenters and told me:

The question was what brings in more money – marketing to the consumer or marketing to the physician? Several hospitals presented and shared percentage changes in consumer-vs-physician marketing, from 90 (consumer)/10 (physician) to 60/40, and from 70/30 to 50/50. All reported higher marketing dollar percentages dedicated to physician marketing. So many hospitals are reorganizing departments and reallocating resources to focus more on physician marketing.

On 9/24 you get your own panel of experts in practice marketing and business development, all ready to share information and ideas – their organizations’ hands-on experience.

Your choice. Come to the seminar and help yourself develop best practices for the hard(er) marketing and communications work ahead. Or stare at the chart until your Medicare coverage kicks in. Really, signing up for the seminar is better. Ta…

NOTE: Today’s visual is “the first chart illustrating the 2,801 page health care law President  Barack Obama signed into law in March.” Although it “displays a bewildering array of new government agencies, regulations and mandates,” it in no way reflects Signalwriter’s opinion – at this time. Check back with me in a couple of years to see how everything has worked out. Special thanks to the H Agency. Ta…

The Locke Bryan House Ad Returns – This One Channels Lichtenstein.

The last time Kay Krenek and I created a house ad for Locke Bryan Productions, the LBP gang ran it in every production directory in America for two years. Then printed it on t-shirts. Made posters out of it. And mouse pads (I’m on my second or third one.)

This year’s edition should be called a Bryanstein, maybe. Nevertheless, the Locke Bryan Productions ad concept has returned in a new 2010 version and it forms the second entry in the Houston production company’s “Art of Making” series house ad series.

The now-iconic visual of Principal/Director Locke Bryan (standing) and Producer/Director Mike Patterson (behind the camera) has received a new art treatment at the hands of Houston illustrator Mike Dean, in the style of American painter Roy Lichtenstein. Dean told me:

I read what Lichtenstein said about art. It doesn’t feel like the artist took himself too seriously so I had fun myself. Whether you consider the Locke Bryan assignment a homage or not, I got a kick out of doing the illustration.

Both the original Warhol-style house ad and this new version were conceptualized just for the gang at LBP. (We promise not to use this idea for any other client!) Krenek of course did the art direction. I did something swell; I’ll let you know what it was as soon as I find out. Meantime, I’m tickled to see this year’s new concept in print. And on posters. And mouse pads.

Thanks to everyone for the enjoyable project!

PS: Spiffy new logo, too - also by Krenek.

Naked Women, Fandango Dancers, Bullfighters and Beer Signs…

Thanks to serendipidy and an old book, today’s post is for Will Rust, ECD at Ogilvy in Budapest:

     The Laredo is a pleasant, restful place, known to only a few Anglos. The walls are painted a kind of smoky aquamarine and are hung with many fine commercial lithographs, of such subjects as horses, bullfighters, naked women, fandango dancers, vaqueros swinging their reatas at stampeding cattle, and scouts in charro dress following Indian sign across the llano.

The most spectacular print is a large calendar from the Tecate Cervezaria of Cuidad Mexico that hangs over the back bar. It represents, in brilliant color, an Indian youth bravely mounting the stairway of an Aztec pyramid to become a human sacrifice, while a beautiful maiden crouches at his feet, imploring him to save himself – presumably for her.

So after he hung the calendar, Don Antonio decided to remove it. It was too pagan, too dolorous. But several patrons protested and so he left it. Now three signs tacked to the wall overlap the edges of the print, and so it has become a permanent part of the Laredo’s décor. The signs are in Spanish and, translated literally, say: WE DO NOT SERVE MINORS OF AGE; A PEARL, AS A FAVOR (which refers to another brand of beer); and BARBECUE, TRIPE, AND TRIPE SOUP.

Sig Byrd’s Houston by Sigman Byrd, Viking Press, New York, 1955.

New Wheaties Fuel™ Intro Features Grim-Faced Guys for Man-Marketing.

They’re back – frowning athletes who seem to reflect the idea that sport is serious business. The cop-an-attitude that turns sporting events into gang rumbles or combat maneuvers is now on every box of Wheaties Fuel, the newly evolved “delicious honey cinnamon crunch!”

General Millis is rolling out the new generation of Wheaties, the first cereal admittedly marketed to men. This probably explains why the creative consultants for the new breakfast yummy* are high-performance celebrities from a variety of sports...all men.

As a marketer, I get the need to evolve the Wheaties brand. I love niche-marketing to men after decades of skewing in the other direction. And I cheerfully admit that the cereal-maker is making a valiant attempt to capture the macho/humorous appeal of the light beer advertisers – for this, watch the videos on the website.

I think what I’m reacting to, since a sample box arrived with my morning paper, is the imagery of the frown. I’ve been watching it grow for years, infecting first the photos of high school footballers who, at 16 or 17, keep glaring out of the newspapers like they’re carrying pistols in their pockets. This has shaded over into the current iconography of some women’s teams, too, from fast-pitch softballers to high-school lacrosse players.

Prospectively, there were other avenues the Wheaties product-line people could have explored (there’s an admittance of experimentation in the marketing materials). But the “brooding look” created by Minneapolis ad agency Boom Island goes beyond the joy of winning into the dour realm of do-or-die-trying.

Now I put an asterisk (*) by the word “yummy” above because, when I finish this post, I’m headed to the breakfast table to try the latest version of The Breakfast of Champions, wherein the third listed ingredient is…sugar, the sixth is honey and the 11th is brown sugar syrup.

Hell, no wonder these guys are glaring. Their teeth hurt.